This dissertation investigates the impact of the partition of the Indian subcontinent in 1947 on the development of art, art institutions, and aesthetic discourse in India and Pakistan in the twentieth century. At the core of this study is the history of the Lahore Museum, whose collections of art and archaeology were divided between the emerging nations of India and Pakistan beginning in 1948.
India and Pakistan will celebrate their 74th Independence Day this year. Both the countries have come far from their situation on the eve of independence, in terms of infrastructure, economy, globalization and overall development. Yet, the ghost of horrendous partition continues to haunt both nations, with the relationship between India and Pakistan still strained after more than half a century. It is finally time to understand the totality of partition to overcome these differences and come to terms with the past.
