Ever since the Partition, novelists on either side of the India–Pakistan border have used fictional space imaginatively to formulate discourses on a humanistically-centred, multiplistically-defined Other identity, which writes itself into existence through the prism of the novelists’ contextual present. In this article, I will focus on three partition narratives: Salman Rushdie's Midnight's children (1980), Bapsi Sidhwa's Ice candy man (1988) and Amitav Ghosh's The shadow lines (1988).

The main focus of the The Arts and Cultural Heritage Trust is to set up a Partition Museum. The Partition Museum Project (TPMP) was initiated by The Arts and Cultural Heritage Trust (TAACHT), in early 2015, to work towards the establishment of a world class, physical museum, dedicated to the memory of the Partition in 1947 — its victims, its survivors and its lasting legacy. In one of the greatest and most painful upheavals of contemporary history, over twenty million migrated to a new homeland on the other side of a quickly demarcated border, leaving behind precious memories.

From website: "Indian Memory Project is an online, curated, visual and narrative based archive that traces a history of the Indian Subcontinent, via photographs and letters found in personal archives. Contextualised with narratives, the photographs & letters (contributed by people all over the world) reveal a powerful and historical palimpsest of a largely undocumented society and sub-continent.

This website provides first-hand accounts of people’s own experiences and memories of partition. It also provides reflections on the actions of political leaders during partition.

This website is "preserving memories of India and Indians." It features written interviews, exposing the personal stories of people's first-hand experiences during important times of Indian History.